
Lives and works in Red Hook, Brooklyn
photo credit: Richard Tullis
2009 dissolution, Elizabeth Harris Gallery, New York, NY
2006 Galerie Hubert Winter, Vienna, Austria
2002 Galerie Hubert Winter, Vienna, Austria
2000 Between Two Appearances, Stark Gallery, New York
1998 Galerie von Bartha, Basel, Switzerland
Galerie Hubert Winter, Vienna, Austria
Monotypes, Galerie Mathias Kampl, Munich, Germany
Lawing Gallery, Houston, TX
1995 Endgame, Brain Coral, Lawing Gallery, Houston, TX
Monotypes, Pamela Auchincloss Gallery, New York, NY
1993 John Good Gallery, New York, NY
1992 The Chrysler Museum of Art, Norfolk, VA
1991 The Lacuna of Certainty, The Long Beach Museum of Art, Long Beach, CA
John Good Gallery, New York, NY
Genovese Annex, Boston, MA
1990 John Good Gallery, New York, NY
Monotypes, Pamela Auchincloss Gallery, New York, NY
1989 John Good Gallery, New York, NY
1987 Julian Pretto Gallery, New York, NY
1986 John Gibson Gallery, New York, NY
1985 John Gibson Gallery, New York, NY
Plus-Kern Gallery, Brussels, Belgium
Haags Gemeentemuseum, The Hague, Holland
1984 P.S. 1 Project Room, Long Island City, NY
1983 David Bellman Gallery, Toronto, Canada
1981 David Bellman Gallery, Toronto, Canada
2009 Winter Salon, Bjorn Ressle Gallery, NY
the viewing room, Lesley Hellery Gallery, NY
2008 Lesley Heller Gallery, New York, NY
Dimensions in Nature: New Acquisitions, 2006-2008, San Diego Museum of Art, San Diego, CA
organized by Betti-Sue Hertz and Erica Overskei
2007 Written on the Wind: The Flag Project, Rubin Museum, New York
Monumental Drawings, Blue Star Contemporary Art Center, San Antonio, TX, curated by Barbara
MacAdam
2006 Faith, Real Art Ways, Hartford, Connecticut, curated by James Hyde
The Independents, curated by Judith Selkowitz, 499 park avenue, NY
2005 The Mark of Minimalism: Gifts of Work on Paper from Sarah-Ann and Werner Kramarsky,
Hood Museum of Art, Dartmouth College, NH
Fine Lines from the collection of Wynn Kramarsky, Santa Barbara Contemporary Arts Forum, Santa
Barbara, CA
2004 The Invisible Thread: Buddhist Spirit in Contemporary Art, Newhouse Center for Contemporary Art,
Snug Harbor Cultural Center, Staten Island, N.Y., curated by Robyn Brentano, Olivia Georgia, Roger
Lipsky, and Lilly Wei
Priority, Art in General Gallery, N.Y., benefit
Flag Project, Rubin Museum of Himalayan Art, N.Y., curated by Arlene Shechet and Kiki Smith
Art for a Landmine Free World, PaceWildenstein Gallery, N.Y., curated by Kiki Smith
2003 Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois,
Champaign-Urbana, IL traveled to: The Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art,
University of Georgia, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati
Museum of Art, Cincinnati, OH.
Of Collage: The Artist as Collector, The John A. Schweitzer Collection, Stewart Hall Art Gallery,
Pointe-Claire, Quebec, Canada
Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, Florida
2002 Made in Brooklyn, S.Cono Pizzeria, Brooklyn, N.Y., curated by Chris Martin and Nellie Appleby
Recent Acquisitions, Museum of Fine Arts, Houston, Texas
Glow: Aspects of Light in Contemporary American Art, curated by: Francis Colpitt, Artpace, San Antonio,
TX, traveled to: The University of Texas at San Antonio Art Gallery, The Jones Center for
Contemporary Art, Austin, Texas, University of North Texas Art Gallery, Denton, Texas
2001 Abstraction and Immanence, Times Square Gallery, Hunter College, New York; curated by Laura Sue
Phillips and Vincent Longo
Fifteen Years of Painting, Stark Gallery, N.Y.
Cinema Studies, Lucas Schoormans Gallery, N.Y., curated by Aruna D’Souza
Monochrome/Monochrome? Florence Lynch Gallery, N.Y., curated by Lilly Wei
2000 Not Seeing, Lawing Gallery, Houston, TX
trans-luzid, Galerie Eugen Lendl, Graz, Austria; curated by Klaus Dieter Zimmer
Five Masterpieces Galerie Von Bartha, Basel, Switzerland
A Decade of Collecting, Recent Acquisitions of Prints and Drawings, Arthur M. Sackler Museum,
Harvard University Art Museums, Cambridge, MA
1999 Then & Now, The Work Space, New York; curated by Theresa Chong
1998 A Common Thread, Littlejohn Contemporary, New York, NY
Large Scale Drawings from the Collection of Wynn Kramarsky, Aldrich Museum of Contemporary
Art, Ridgefield, CT
1997 Drawing is another kind of language, Recent American Drawings from a New York Private
Collection, Harvard University Art Musueums, Cambridge, MA, Kunstmuseum Winterthur, Kunst-Museum Ahlen, Akademieder
Kunste, Berlin, Fonds regional d’art contemporain de Picardie
and
Musee de Picardie, Amiens, Parrish Art Museum, Southampton, NY, Lyman Allyn Art Museum, New London, CT,
Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, The Contemporary Museum, Honolulu, HI,
curated by James Cuno
1997 Abstraction Index, Condeso/Lawler Gallery, New York, NY
After the Fall: Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug
Harbor Cultural Center,
Staten Island, NY, curated by Lilly Wei
1996 Art Show, Ryall/Porter Architects, New York, NY, curated by Ted Porter
Colorfield to New Abstraction, Rose Art Museum, Brandeis University, Waltham, MA
Formal Abstraction / New York, Ruth Bachofner Gallery, Santa Monica, CA, curated by Robert
Kingston
In Black & White, Numark Gallery, Washington, DC
Silence, Lawing Gallery, Houston, TX
The Julian Pretto Collection, Wadsworth Atheneum, Hartford, CN
Ronald Bladen, Nancy Haynes and Olivier Mosset, John Gibson Gallery, New York, NY
Printmaking in America--Collaborative Prints and Presses 1960- 1990, The Jane
Voorhees Zimmerli Art Museum, Rutgers, New Brunswick, NJ, Mary and Leigh Block
Gallery, Northwestern University, Evanston, IL, National Museum of American Art,
Smithsonian Institute, Washington, DC
1995 Alchemy, Proctor Art Center, Bard College, Annandale-on Hudson, NY, curated by Harvey
Quaytman
Changing Perspectives, Contemporary Arts Museum, Houston, TX
Abstraction from Two Coasts, Lawing Gallery, Houston, TX
Four Generations, Woodbury University, Glendale, CA, curated by Jeremy Gilbert-Rolfe
Group Exhibition, Pamela Auchincloss Gallery, New York, NY
Julian's Show, Littlejohn Contemporary, New York, NY, curated by Julian Pretto
New York Abstract, Contemporary Arts Center, New Orleans, LA
Abstract Painting, Christinerose Gallery, New York, NY, curated by Pat Steir
1994 Paint, The Rotunda Gallery, Brooklyn, NY
Contemporary Abstract Painting, Grant Gallery, Denver, CO, Tavelli Gallery, Aspen, CO
Fall Group Exhibition, John Good Gallery, New York, NY
Visiting Artistry, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
Prints of Darkness, Fogg Art Museum, Harvard University, Cambridge, MA
Some Like it Cool, Barbara Krakow Gallery, Boston, MA
1993 Drawings From 55 Ferris Street, Jessica Berwind Gallery, Philadelphia, PA, curated by
Frederieke S. Taylor
Summer Group Exhibition, John Good Gallery, New York, NY
Single Frame, John Good Gallery, New York, NY
Silent Echoes, Tennisport Arts, Long Island City, New York, curated by Christian Haub
Abstrategies, Dunedin Fine Arts and Cultural Center, Tampa, FL, curated by Genevieve Linnehan
1992 Singular and Plural: Recent Accessions, Drawings & Prints 1945-1991, The Museum of Fine Arts,
Houston, TX, curated by Barry Walker
Summer Becomes Eclectic, Mars Gallery, Tokyo, Japan
Contemporary Surfaces, Pamela Auchincloss Gallery, New York, NY, curated by Rick Ward
55 Ferris Street Show, 55 Ferris Street, Brooklyn, NY, curated by Frederieke S. Taylor
Eighties, John Gibson Gallery, New York, NY
The Clearobscure, Genovese Graphics Annex, Boston, MA
Essential Gestures, Pamela Auchincloss Gallery, New York, NY
Nancy Haynes, Mike Metz, Thomas Nozkowski, and Joyce Robins, 55 Mercer Gallery, New York, NY
Group Exhibition, Galleria Plurima, Milan, Italy
1991 American Abstraction at the Addison, Addison Gallery of American Art, Phillips Academy,
Andover, MA
La Metafisica Della Luce, John Good Gallery, New York, NY, curated by Demetrio Paparoni
Synthesis, John Good Gallery, New York, NY, Tavelli Gallery, Aspen, CO
Drawing Exhibition, Stark Gallery, New York, NY
Monotypes from the Garner Tullis Workshop, Thomas Segal Gallery, Boston, MA
Works on Paper, John Good Gallery, New York, NY
The Fetish of Knowledge, Real Art Ways, Hartford, CT, AC Project Room, New York, NY,
curated by James Hyde
Monotypes, Galleria Plurima, Milan, Italy
1990 Artists for Amnesty, Blum Helman Gallery, New York, NY
A Question of Paint, Hallwalls Contemporary Art Center, Buffalo, NY
Act-Up Auction for Action Aids Benefit Exhibition, Paula Cooper Gallery, New York, NY
Unique Works on Paper, Memorial Art Gallery, University of Rochester, Rochester, NY,
curated by Werner H, Kramarsky
Contemporary Fresco, Stark Gallery, New York, NY
Provocative Abstraction: New Painting New York, Karl Bornstein Gallery, Santa Monica, CA
Group Exhibition, Stark Gallery, New York, NY
Homage to the Square, Nohra Haime, New York, NY
1989 The Dark Sublime: Art at the End of Our Century, Scott Alan Gallery, New York, NY
American Abstract Artists, 55 Mercer Gallery, New York, NY
Expressive Geometries, Thomas Segal Gallery, Boston, MA
Post-Modern Painters, John Good Gallery, New York, NY
Fundamental Abstraction, Haines Gallery, San Francisco, CA
Methods of Abstraction, Gallery Urban, New York, NY
The Mirror in which Two are Seen as One, Jersey City Museum, Jersey City, NJ
Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York, NY, curated by
Jeremy Gilbert-Rolfe
Abstraction and Image: Drawing Within, Leubsdorf Gallery, Hunter College, New York, NY
Slate, E.L. Stark Gallery, New York, NY
New York Now, Esbo Museum of Art, Finland & Norrkopings Konstmuseum,Goteborgs
Museum, Sunsvalls Museum, Sodertalje Konsthall, Sweden
The Presence of Abstraction, University Art Museum, Santa Barbara,CA; Block Art Gallery,
Northwestern University, Chicago, IL; Desaisset Museum, Santa Clara, CA, curated by Phyllis
Plous
1988 Real Abstract, John Good Gallery, New York, NY
The Gold Show, Genovese Graphics, Boston, MA
Nancy Haynes, Donald Judd, Carole Seborovski, John Good Gallery, New York, NY
Out of Order, Anne Plumb Gallery, New York, NY, curated by Christian Haub
Formal, The Dart Gallery, Chicago, IL
The New Generation, Elaine Benson Gallery, Bridgehampton, NY, curated by Werner H.
Kramarsky
Black in the Light, Genovese Graphics, Boston, MA
Group Exhibition, Plus-Kern Gallery, Brussels, Belgium
1987 Lieu, Project D'Exposition, Liege, Belgium
Black, Eric Siegeltuch Gallery, New York, NY
Rigor, John Good Gallery, New York, NY curated by Stephen Westfall
Abstract Painting, Asher-Faure Gallery, Los Angeles, CA
Plus-Kern ’69-’86, Museum van Hedendaagse Kunst, Ghent, Belgium
American Abstract Artists, New York Cultural Center, New York, NY
Group Exhibition, John Gibson Gallery, New York, NY
1986 Plus-Kern Gallery: Ten Years, Vereniging Museum, Hedenaagse Kunst, Ghent, Belgium
Geometry Now, Craig Cornelius Gallery, New York, NY, curated by Ruth Kaufmann
Group Exhibition, Angles Gallery, Los Angeles, CA
Group Exhibition, Kingsboro Community College, New York, NY, curated by Lilly Wei
1985 Sculpture Center Group Exhibition, Ben Shahn Gallery, William Patterson College, New Jersey
Abstract Issues, Oscarsson Hood Gallery, New York, NY, curated by Steven Henry Madoff
Group Exhibition, The Sculpture Center, New York, NY
1983 Benefit, A.I.R. Gallery, New York, NY
Group Exhibition, Jourdan Arpelle Gallery, New York, NY
Artists Choose Artists, CDS Gallery, New York, NY
1982 Crucifix Show, Barbara Gladstone Gallery, New York, NY
Benefit, A.I.R. Gallery, New York, NY
The First Ten Years of Collecting, The Chase Manhattan Bank, New York, The High
Museum of Art, Atlanta, GA
Recent Acquisitions, Haags Gemeentsmuseum, The Hague, Holland
1981 Benefit, A.I.R. Gallery, New York, NY
Group Exhibition, Julian Pretto, Weehawken, New Jersey
Gallery Artists, David Bellman Gallery, Toronto, Canada
Heresies, Grey Art Gallery, New York University, New York, NY
June Fever, Susan Caldwell Gallery, New York, NY
1980 Inaugural Exhibition, David Bellman Gallery, Toronto, Canada
In the Spirit of Constructivism, Janus Gallery, Los Angeles, CA
Group Exhibition,Susan Caldwell Gallery, New York, NY
1978 Group Exhibition, The Hundred Dollar Gallery, New York, NY, curated by Poppy Johnson
1995 Pollock- Krasner Foundation
1990 National Endowment for the Arts
1987 New York Foundation for the Arts
National Endowment for the Arts
The Metropolitan Museum of Art, New York, NY
The Museum of Modern Art, New York, NY
The Whitney Museum of American Art, New York, NY
The Brooklyn Museum, Brooklyn, NY
The Hood Museum, Dartmouth, NH
The Addison Gallery of American Art, Phillips Academy, Andover, MA
The Denver Art Museum, Denver, CO
Haags Gemeentemuseum, The Hague, Holland
The National Gallery of Art, Washington, D.C.
The Museum of Fine Arts, Houston, TX
The Ackland Museum, Chapel Hill, North Carolina
The Chrysler Museum of Art, Norfolk, VA
The Rose Art Museum, Brandeis University, Waltham, MA
The Fogg Art Museum, Harvard University, Cambridge, MA
Wadsworth Atheneum, Hartford, CN
The Grunwald Center for the Graphic Arts, UCLA, Los Angeles, CA
The Albertina Museum, Vienna, Austria
University Art Museum, University of California, Santa Barbara, CA
The Arkansas Art Center, Little Rock, Arkansas
Yale Museum of Art, New Haven, CT
The San Diego Museum of Art, San Diego, CA
The Davis Museum and Cultural Center, Wellesley College, Wellesley, MA
The Pollock Gallery, Southern Methodist University, Dallas, TX
The UCLA Hammer Museum, Los Angeles, CA
The Baltimore Museum of Art, Baltimore, MD
The Birmingham Museum of Art, Birmingham, AL